Rudy Ray Moore is something else. This one's absurd too, but it feels more forcably over the top, campy, and silly. Maybe this is one of the first blaxploitation parodies? He wants to be a stand-up comedian. Petey nearly quashes the deal when he sees the picture of the Devil's ugly daughter, but hears the words of Bantu - and decides to make a deal. I do recommend checking out Moore's brilliant opening monologue which features classic lines like "I'm gonna take the Fourth of July 'n put it in June". Plot[ edit ] Petey Wheatstraw Rudy Ray Moore is born during a great Miami hurricane, and after a difficult labor by his mother, emerges as a talking, diaper-wearing, six-year-old boy who promptly attacks the doctor and then his father for "disturbing me in my sleep every night. I'm glad this wasn't the first of Moore's films I watched or I wouldn't have bothered with the others.
Don't attempt to view any further though. The slapdash, homemade qualities are consistently charming, especially as Roquemore stretches every penny he has to portray the surreal, magical elements of his story. Realizing that their show is likely to fail with Petey in town and therefore default on the loan, and putting their lives at risk , they beg Petey to delay his act. Let's just end on a rather kind note and call Rudy Ray Moore the black Ed Wood even though Moore didn't direct this or Dolemite, or his other films that I'm aware of , and call this one of his lesser works. Petey Wheatstraw runs out of gas by the end, falling into a trap of endless fight scenes and labored exposition. It helps that Roquemore proves to actually have a solid eye for compositions and editing, with some moments and set-pieces actually working like gangbusters. View All Critic Reviews 1 Audience Reviews for Petey Wheatstraw Moore's third film makes the mistake of playing for intentional laughs rather than the unintentional ones that make the rest of his movies so compelling. Even the look of Hell red filter, black background is oddly evocative at times. It is what it is. I do recommend checking out Moore's brilliant opening monologue which features classic lines like "I'm gonna take the Fourth of July 'n put it in June". It could be, but I doubt it. Armed with the Devil's own magic "Pimp Cane," Petey sets out to exact his revenge. And the word "Bonkers" which is a stupidass word really describes it well. When Petey refuses to do so, Leroy and Skillet send out their henchmen to convince Petey otherwise. This one's absurd too, but it feels more forcably over the top, campy, and silly. Oh sure, I liked this, and it is watchable. I think I had a hard time with this one though mostly because I'm not a fan of the overtly slapsticky stuff unless it's self aware parody like Black Dynamite. Some movies are so bad they're great and some are so bad they're unwatchable. Maybe this is one of the first blaxploitation parodies? Mortally wounded, Petey is visited by "Lou Cipher" - the Devil himself - who tells him that his death was a mistake. But even acknowledging that the film overstays its welcome a tad, Petey Wheatstraw is a baffling, delightful combination of totally disparate elements that come together in ways both inventive and dumb, counter-productive and wildly creative. Petey and his friends are brought back to life, and Petey tells them of the Devil's deal and his plans to gain revenge on Leroy and Skillet - and trick the Devil by not marrying his daughter. It is typical of Moore's other films Dolemite and The Human Tornado from the same era, in that Rudy Ray Moore rhymes nearly every sentence in the movie with the next one. Maybe this one really does suck, or perhaps I've finally matured and am starting to see these movies for the the crap they are instead of insisting that they're unfairly maligned for one reason or another. Plot[ edit ] Petey Wheatstraw Rudy Ray Moore is born during a great Miami hurricane, and after a difficult labor by his mother, emerges as a talking, diaper-wearing, six-year-old boy who promptly attacks the doctor and then his father for "disturbing me in my sleep every night. White is the only white person with speaking lines in this film, you would be right!
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Petey Wheatstraw f'u'l'l ..'m'o'v'ie' / Rudy Ray Moore
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