Murison was replaced as editor in July by Mike Williams, who had previously been the magazine's deputy. In June NME. In the NME reasserted its position as an influence in new music and helped to introduce bands including the Strokes , the Vines , and the White Stripes. Spencer's time as editor also coincided with the emergence of post-punk acts such as Joy Division and Gang of Four. Rex , and then came punk In the site gave away a free MP3 of the Strokes ' single " Last Nite " a week before its release. For the most part, NME only became interested in grunge after Nevermind became popular. NME became the gateway to a more rebellious world.
Bands such as Sex Pistols , X-Ray Spex and Generation X were regular cover stars, eulogised by writers such as Julie Burchill and Tony Parsons , whose nihilistic tone narrated the punk years perfectly. This left the paper directionless again, and attempts to embrace the rise of DJ culture in the late s only led to the paper being criticised for not supporting rock or indie music. In May the magazine received a redesign, aimed at an older readership with a less poppy, more authoritative tone. This erupted after a concert at Finsbury Park where Morrissey was seen to drape himself in a Union Flag. This development was reflected in the writing of Ian Penman and Paul Morley. We also set out to beat Melody Maker on its strong suit: This came to a head in when during an interview with Steve Lamacq , Richey Edwards would confirm the band's position by carving "4real" into his arm with a razor blade. During this period now under the editorship of Ian Pye, who replaced Neil Spencer in , they were split between those who wanted to write about hip hop , a genre that was relatively new to the UK, and those who wanted to stick to rock music. In Logan moved on, and his deputy Neil Spencer was made editor. Its cover would sometimes feature youth-orientated issues rather than a musical act. For the most part, NME only became interested in grunge after Nevermind became popular. This would be its last year sponsoring the stage; subsequently the stage would be known as the 'Other Stage'. This resulted in the recruitment of Tony Parsons and Julie Burchill. The first issue of the redesign featured a free seven-inch Coldplay vinyl single. After this peak the paper experienced a slow decline as Britpop burned itself out fairly rapidly over the next few years. The paper became engaged in a sometimes tense rivalry with Melody Maker; however, NME sales were healthy, with the paper selling as many as , issues per week, making it one of the UK's biggest sellers at the time. In NME covered many of these new bands, and many of the bands played the NME Stage at that year's Glastonbury Festival where the paper had been sponsoring the second stage at the festival since Black Emperor in saw the paper dip to a sales low, and Sutherland later stated in his weekly editorial that he regretted putting them on the cover. According to Nick Kent soon to play a prominent part in the paper's revival: The term was coined by NME[ citation needed ] after the band Blur released their album Parklife in the month of Cobain's death. We wanted to see where we'd got to, sort out this huge amount of stuff that had poured out since the mid '60s. July Blur vs Oasis , August Its first editor was Brendan Fitzgerald. We had most of the best writers and photographers, the best layouts, that sense of style of humour and a feeling of real adventure. However, sales were dropping, and by the mids, NME had hit a rough patch and was in danger of closing. In the site gave away a free MP3 of the Strokes ' single " Last Nite " a week before its release. However, this new direction for the NME proved to be a commercial success and the paper brought in new writers such as Andrew Collins , Stuart Maconie , Mary Anne Hobbs and Steve Lamacq to give it a stronger identity and sense of direction.
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