Recognition of the Variations To the e A Source of Meditative Awe As soon as I finished reading this novel, I wanted to respond the only way I could that would do justice to my feelings for the book: It has a double helical unity derived from intuitive perception that is born of both superlative craft and close scrutiny, mellowed by a non-pyrotechnic mastery of language that is subtly achieved. As a child I pushed the "why" cycle to break point. Almost every sentence is a heroic tour de force built around a fascinating gimmick of language, usually a pun or a metaphor derived from the figurative possibilities of scientific technical language, liberated from the usual literary attention to connotation or elegance. The code exists only as the coded organism. I can still see the color plates: When the delivering nurse slapped my rump, instead of howling, I blinked inquisitively. Every allusion possible is compulsory. But her scheme backfired.
All these are mysteries, ripe for the scholarly reader. The interweaving threads of narrative reconstruct a tragic affair between Ressler the scientist and a married colleague; a similarly electrifying and devastating relationship between the two sleuths; the perilous path of science as it grapples with the fundamental patterns of life; and the librarian's own obsession with the secrets of genetic coding, initiated in despair after learning of Ressler's death from cancer. From birth, I was addicted to questions. When these scientists have sex -- though they're passionate, and a few beakers are broken in the privacy of utility closets -- nevertheless the descriptions are largely in terms of enzymes, glands, hemodynamics. Now he will prove to her that he, of everyone she has ever met, most merits the selection of love Soon after the novel starts in , both Jan and Frank learn that Dr Ressler has died of cancer. Broadcast desire creates a "walking trance, the sleeping spell of mind. What is it about the pun that is so impolite, so discourse-damaging, so unfair that it must smirk? It's a cabalistic kind of text, obsessed with its own numerology and metaphors, for which character and plot exist only as background. In his third novel, Richard Powers is up to something very unusual. Koss walks across the lab to the dissection table, her legs inscribing a counterrhythm, the high arc of her collarbone floating in contrary motion. The joy to be taken in reading the book is, like the pleasure of studying crystal multiplication, in seeing a pattern swarm mosaically over everything, watching a stencil laid over life. The story is narrated in the third person, though we learn plenty about what Ressler is involved in, both professionally and personally. And how are we to take Jan's quitting the job she loves and risking poverty to take up the study of genetics at home, self-directed? Archers at Agincourt; Instruments of the Orchestra. It has a double helical unity derived from intuitive perception that is born of both superlative craft and close scrutiny, mellowed by a non-pyrotechnic mastery of language that is subtly achieved. Also, one might complain that the characterization is a bit slight. Titular Playfulness Powers does play in this novel, but he plays with the building blocks of life. There was a problem adding your email address. So it righted a cosmic imbalance in her eyes that I ended up answering others' questions for a living. Paracelcus, Schrodinger waves, Zeno, German, French, Latin, musicology, quantum mechanics, Flemish painting, staves of musical notation, poems written in computer language, Keynes, ozone depletion, Tesla coils, Yeats, Pythagoras, Poe. She hoped to see me sit behind the Reference Desk until I'd answered as many unanswer ables as I had plagued her with all those years. DNA is self-motivated to perpetuate itself by procreation i. Powers's page is Velcro. Perhaps because it calls attention to the pathetically mechanical nature of our language, which we would rather think of as sublime. How the four-base language is both more and less than plan.
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