She is also interested in the materiality of early books and manuscripts, and the digital humanities. For her publications, see http: At the centre is a large Maltese cross, immediately identifying this as a Christian image. Although this charm testifies to beliefs about the role of magical and divine forces in protecting health, magic was, in theory at least, not a component of late medieval Christianity. Latin may have featured because it was one of the sacred languages of biblical texts, and was understood to increase the potency of the charm. The power of the charm is focused in the symbol of the cross, but that power is channelled through the agency of Christ by means of an angel. The appearance of the words on his hand is reminiscent of the manner in which some healing charms require words to be written on the body, often in blood. In addition, Latin made the readership of the charm more exclusive, perhaps intentionally restricting access only to religious monks, nuns and parish priests and certain other readers who could be entrusted with its contents. Rorem's musicv is among the best of its time, and not too shabby even in company with the great music of ALL time.
Her research examines the medical and religious culture of medieval France and England, especially the region of Normandy. Around the cross are two circles of Latin text. Nonetheless, this image reflects the idea that words and symbols could be used to channel the powers of Christ and the angels, to provide vital support in an uncertain world. Plague was one of the most feared and dreaded aspects of daily life in 15th century England. Charms, healing remedies whose power was derived from words, were used to protect against pestilence, as well as other dangers to human health. Writing with intelligence, insight, and honesty, he recalls time spent with some of the most famous, and infamous, artists of the era—Philip Roth, Christopher Isherwood, Tallulah Bankhead, and Edward Albee, among others—openly exploring his sexuality and his art while offering fascinating, sometimes blistering, views on the art of his contemporaries. Although this charm testifies to beliefs about the role of magical and divine forces in protecting health, magic was, in theory at least, not a component of late medieval Christianity. Above and below the diagram is text in Middle English relating to the humoral qualities of various plants. In The Later Diaries,Rorem continues to explore his world and his music in intimate journal form, covering the years to , one of his most artistically productive decades. The outer circle translates as: Now his much-celebrated diaries are another Rorem's musicv is among the best of its time, and not too shabby even in company with the great music of ALL time. For her publications, see http: The appearance of the words on his hand is reminiscent of the manner in which some healing charms require words to be written on the body, often in blood. The charm has authority because it was communicated to a religious man, a monk of a monastic house in Lincolnshire. She can be found on Twitter elmabrenner. Although scholarly medicine attributed the plague to corrupt air, it was also explained in terms of divine punishment. In medieval manuscripts charms usually appear as a string of words, but sometimes they are presented in conjunction with an image, usually a type of diagram. The language used in the diagram, Latin, differs from the Middle English of the manuscript as a whole. In , he revealed another side of his remarkable talent when The Paris Diary was published, and a year later, The New York Diary, both to wide critical acclaim. She is also interested in the materiality of early books and manuscripts, and the digital humanities. The outer circle of text is evidently meant to be read first, meaning that the reader is drawn in gradually to the cross at the centre of the diagram. The text in the inner circle reads: The Ned Rorem revealed in The Later Diaries is somewhat more mature and worldly than the young artist of the earlier works, but no less candid or daring, as he reflects on his astonishing life, loves, friendships, and rivalries during an epoch of staggering, sometimes volatile change. The power of the charm is focused in the symbol of the cross, but that power is channelled through the agency of Christ by means of an angel.
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