His work challenges reductive notions of men of color in the media and delves into the performative aspects of sexuality that both men and women take part in when faced with a camera lens. On this day, we remember the lives we lost to that senseless hate crime. I realize that my narrative is not a unique one and yet the effects of toxic masculinity in Latino cultures are rarely discussed. There is no middle ground, no gray area. After she finished one of her shifts, she let me into her home and I remember that before she took off her uniform she slipped off her work shoes and put on her casual sneakers. Our Board president, Julio Rodriguez, remembers Marcia as a dear friend and a comrade in the movement. Talk me through your new works, Fragments of the Masculine. Colorado Civil Rights Commission. While we know that not everyone has the ability to vote, we encourage all those who can — to exercise this privilege.
What drew you to portraiture and who are the subjects you photograph in series like Welcome to Wyckoff Gardens? She was someone whose heart and soul exemplified what it meant to fight diligently. Coming to terms with my sexuality as a gay Latino man was a big part of my journey because being Latinx and queer is inherently a political statement. As evidenced by today, we must remain vigilant and we must stay committed to fighting — we are not going back to the days of state-sanctioned discrimination. Thus, thousands of LGBTQ equality voters committing to vote and then voting in can have a major impact on the outcome of the election. Commit to vote today. On this day, we remember the lives we lost to that senseless hate crime. We celebrate the faith-driven organizations and individuals who have championed our cause, and still we believe that no business should use the veil of religious freedom to discriminate against us. Is this an ongoing project? Remembering Marcia Lipetz This week, we were sadden to hear the news of the passing of our dear friend, Marcia Lipetz. Our Board president, Julio Rodriguez, remembers Marcia as a dear friend and a comrade in the movement. Click on the options to the left to explore more about ALMA! I photographed the neighborhood police officer who everyone knew. Talk me through your new works, Fragments of the Masculine. After she finished one of her shifts, she let me into her home and I remember that before she took off her uniform she slipped off her work shoes and put on her casual sneakers. I first got into photography in middle school. My mom, because she drew, wanted me to take the traditional drawing class, so naturally I took photo. On this day, we continue to honor these individuals, our 49 dancers. I grew up with an archive of photos of him and with references from my family about mannerisms of mine that were reminiscent of this man I had never met. On one end, the military is seen as this plateau of success and respect both within the masculine context but also within a wider sense of patriotic achievement. When I started making this body of work it was about me resolving something within myself. And I think they can both be dangerous equally in a way. I realize that my narrative is not a unique one and yet the effects of toxic masculinity in Latino cultures are rarely discussed. I happened to have this red meshing which perfectly symbolized the fragmentation of our relationship in spite of being bound by blood. Our middle school gave us two choices for art class: Are the images in these pieces original photographs? No, they are all either re-photographed or scanned.
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