Most important, perhaps, it shows the congregation's members to be anything but a monochromatic set of uniform "believers" but rather a gathering of vibrant, imperfect, indisputably down-to-earth individuals coming together to make a community. The parts are cantus, tenor, bassus, and quintus et VI; the altus partbook is missing. Notes at the end of each selection provide variant readings for both music and text. At first encounter, these partbooks yield no clues concerning their provenance, their composers' names, or the reasons for their dispatch to England. Colin Slim 0 Atsauksmes https:
About Us The Centre for Internet and Society CIS is a non-profit organisation that undertakes interdisciplinary research on internet and digital technologies from policy and academic perspectives. Few imagine that Jewish life there has stubbornly continued through this history of decline and regeneration. By placing the date of the partbooks' arrival in England around , Professor Slim suggests that the musical culture of the early Tudor court was less French than has hitherto been thought. The manuscript set—minus the missing altus part—has been owned since by the Newberry Library in Chicago; but until H. In Volume II, Professor Slim has transcribed the music of the thirty motets and thirty madrigals for modern performance. Mornings at the Stanton Street Shul illustrates in poignant and humorous ways the changes in a historic neighborhood facing the challenges of gentrification. The Lower East Side, famous as the jumping off point for millions of Jewish and other immigrants to America, has recently become the hip playground of twenty-something immigrants to the city from elsewhere in America and from abroad. He also presents a detailed description of the binding process and the probably background of the scribe, places the political and social references in the works, and determines the route the volumes may have taken after they left Henry's library. But he also used bibliographers' tools not always employed by musicologists: Through its diverse initiatives, CIS explores, intervenes in, and advances contemporary discourse and practices around internet, technology and society in India, and elsewhere. Colin Slim's exhaustive efforts, no thorough study of the history or contents of the partbooks had been undertaken. To discuss such possibilities, please write to Sunil Abraham, Executive Director, at sunil[at]cis-india[dot]org or Sumandro Chattapadhyay, Research Director, at sumandro[at]cis-india[dot]org, with an indication of the form and the content of the collaboration you might be interested in. The Latin texts of the motets, the Italian of the madrigals, and an English translation of each appear at the end of the volume. Most important, perhaps, it shows the congregation's members to be anything but a monochromatic set of uniform "believers" but rather a gathering of vibrant, imperfect, indisputably down-to-earth individuals coming together to make a community. At first encounter, these partbooks yield no clues concerning their provenance, their composers' names, or the reasons for their dispatch to England. Indeed, the presence of the partbooks in Henry's library makes them the earliest evidence of the Italian madrigal in England. Concordant sources provide the altus parts for all but four of the motets and six of the madrigals. Through the eyes of Boyarin, at once a member of the congregation and a bemused anthropologist, the book follows this congregation of "year-round Jews" through the course of a summer during which its future must once again be decided. It offers readers with no prior knowledge of Judaism and synagogue life a portrait that is at once intimate and intelligible. As a result of his efforts, the author was able to identify nearly all the works' composers and the manuscripts' expert illuminator. Coming inside with Boyarin, we see the congregation's life as a combination of quiet heroism, ironic humor, disputes for the sake of Heaven and perhaps otherwise, and above all the ongoing search for ways to connect with Jewish ancestors while remaining true to oneself in the present. These ten have been composed by Professor Slim. Colin Slim 0 Atsauksmes https: The author also provides new and significant data on the artistic and historical position of Philippe Verdelot, the partbooks' most extensively represented composer. In his search for this information, Professor Slim used the musicologists' customary tools, namely, biobibliography, concordances, and textual and musical analysis. The academic research at CIS seeks to understand the reconfiguration of social processes and structures through the internet and digital media technologies, and vice versa.
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